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Photoshop 6
Down & Dirty Tricks
by Scott Kelby
From Napp
Publishing, Inc.
$39.95 (US), $59.95 (CAN)
Review by Gary
Coyne
If you are looking for a book that's going to show all
the menus and tools and break each one down to explain how
they are used, this isn't your book. On the other hand, if
you want to get down to the nitty gritty and do a bunch of
neat things in Photoshop (and learn bunches about Photoshop
at the same time, this is the book for you. This book is for
intermediate and advanced users wanting the methods, the
secrets, and (dare I say it) the tricks on how to accomplish
the neat special effects you see on the web or in photos in
magazines that you know were done in Photoshop but just
didn't know how to do. Here's where Scott Kelby shows you
how.
Scott Kelby is the Editor-in-Chief of Photoshop User
Magazine, and President of the National Association of
Photoshop Professionals. He also has numerous other titles
all focusing around Photoshop, Macintosh computers, training
and publishing. This is a guy who knows his stuff and knows
how to teach.
One of the aspects about this book that appealed to me
the most was that it's intended for use by intermediate and
advanced users and assumes that the reader isn't an idiot.
At no point does it explain how to cut/copy/paste. It also
assumes that the reader has some background with Photoshop.
However, using me as an example, I am not a strong Photoshop
user and although I did have to search for the occasional
menu selection, I was never at a loss for what to do.
The book is divided into 12 chapters, and although Scott
tells you that you can jump in anywhere (and you can), there
is in fact a logical order to the selections within each
chapter allowing you to learn and grow from each "trick."
Each trick is typically two pages (more or less), with four
pictures/instructions per page. Each picture is typically
the result of the actions presented in the text below each
picture as opposed to what a menu looks like. The text
guides you though the actions to obtain the results
presented. An example might be "STEP THREE: Press the letter
"L " to switch to the Lasso tool. Press Shift-L until the
Polygonal Lasso tool appears (used for drawing straight line
selections). Draw a triangle selection (as shown above).
This effect will work with other types of selections as
well, so if you don't want to draw a triangle, you can use
the Rectangle Marquee tool and draw a square, if you
prefer."
You'll note from the above example that Scott assumes the
reader can follow basic instructions. If there is a fault,
the information is seldom presented with an explanation as
to why you are doing what you are doing, only that this is
what you do to get the desired effect. But hey, that's what
this book is trying to do. On the other hand, Scott does
present options available to you as you proceed through the
explanations. The other "subtle" aspect of this type of
explanation is that you will be learning all the nifty
tricks to work more efficiently at Photoshop. There are many
keyboard shortcuts that are typically ignored or only
referred to in most books. Here, Scott is constantly telling
you to get a tool the efficient way, not necessarily the
easiest-to-explain way. After going through several lessons
you wont be clicking on the toolbar anymore.
Scott also points out which techniques show up better on
the screen and which show up better in print and how to
adjust (when possible) any given document for one media type
or the other.
I do have three complaints about this book: one
stylistic, one structural, and one organizational.
First, Scott is obviously one of those people with whom
it would be a pleasure to sit down and have a beer with.
Obviously gregarious and chatty, he also writes that way. I
found this somewhat tedious, your mileage may vary.
Second, the book is a standard-bound, 8 1/2 x 11 inch
book that doesn't lie flat. There is no way you can place
this book on a table by your side and try to do the lessons
without constantly reaching over and trying to prevent the
book from closing on you. Plan on purchasing this book with
heavy-duty bulldogs or binder clips (or a brick to weight
down the pages while you work). A spiral-bound binding would
have been a major improvement.
Lastly, on the outside border of every page there are a
wonderful handy tricks, factoids, pieces of information,
what ever you want to call them. But, none of these are
organized, indexed, or referred to. For example, on page 54,
in the Chapter on Cool Type Effects, on the third page of
the lesson called "Mondo Cool Light Burst," there is a
factoid called "Getting your last settings back." This
factoid deals with how to see the effects you just left when
closing certain windows and not seeing the default window.
The only way one can possibly find this trick is to
intentionally go through each page, one by one, and happen
to chance on it. If you saw a trick that you want to refer
back to, start turning pages or create your own notes at the
back of the book.
In the final showdown, it was this last issue that bugged
me the most. This is a good book that could have been great
if there had been some indexing of these wonderful tidbits
of information. As they say, "it's not what you know, but
whom you know." In this case, it was more "it's not what you
know but can you find it?"
Otherwise, go to a bookstore and start thumbing through
this book. Unless you are a supreme master Photoshop user,
you will be going "Oh, so that's how..." and "Oo, I didn't
know I could to that..."
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